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de C. C. (Charlotte Carmichael) Stopes

Portada de Shakespeare's family de C. C. (Charlotte Carmichael) Stopes

"Shakespeare's Family" by C. C. Stopes is a genealogical study written in the early 20th century. The work focuses on the ancestors and descendants of William Shakespeare, specifically detailing the lineage and connections of the Arden family, which intersects with Shakespeare’s heritage. The book aims to correct misconceptions and provide clarity regarding Shakespeare's origins and familial connections. The opening of "Shakespeare's Family" introduces the author’s intention to reprint and expand upon previously published articles about Shakespeare's ancestry. Stopes emphasizes a genealogical exploration rather than a focus on Shakespeare's literary works. She aims to counter claims undermining Shakespeare's social status and to demonstrate the respectability of his family background. The narrative begins with the discussion of the name "Shakespeare," detailing its ancient origins and establishing a foundation for the exploration of early Shakespeares and their localities, highlightin

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When I was invited to reprint in book-form the articles which had
appeared in the Genealogical Magazine under the titles of
"Shakespeare's Family" and the "Warwickshire Ardens," I carefully
corrected them, and expanded them where expansion could be made
interesting. Thus to the bald entries of Shakespeare's birth and burial
I added a short life. Perhaps never before has anyone attempted to write
a life of the poet with so little allusion to his plays and poems. My
reason is clear; it is only the genealogical details of certain
Warwickshire families of which I now treat, and it is only as an
interesting Warwickshire gentleman that the poet is here included.

Much of the chaotic nonsense that has of late years been written to
disparage his character and contest his claims to our reverence and
respect are based on the assumption that he was a man of low origin and
of mean occupation. I deny any relevance to arguments based on such an
assumption, for genius is restricted to no class, and we have a Burns as
well as a Chaucer, a Keats as well as a Gower, yet I am glad that the
result of my studies tends to prove that it is but an unfounded
assumption. By the Spear-side his family was at least respectable, and
by the Spindle-side his pedigree can be traced straight back to Guy of
Warwick and the good King Alfred. There is something in fallen fortune
that lends a subtler romance to the consciousness of a noble ancestry,
and we may be sure this played no small part in the making of the poet.

All that bear his name gain a certain interest through him, and
therefore I have collected every notice I can find of the Shakespeares,
though we are all aware none can be his descendants, and that the family
of his sister can alone now enter into the poet's pedigree with any
degree of cert

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