Leer The Picture of Dorian Gray online gratis (en inglés)

"The Picture of Dorian Gray" by Oscar Wilde is a philosophical fiction and Gothic horror novel published in 1890. When a beautiful young man wishes that his portrait would age instead of himself, his desire becomes terrifyingly real. As Dorian pursues a life of pleasure and moral corruption, he remains eternally youthful while his painted image transforms into a horrifying record of his sins. Wilde explores beauty, morality, and the dangerous influence of hedonistic philosophy in this tale of vanity and its consequences. (This is an automatically generated summary.)

Así empieza

The artist is the creator of beautiful things. To reveal art and
conceal the artist is art’s aim. The critic is he who can translate
into another manner or a new material his impression of beautiful
things.

The highest as the lowest form of criticism is a mode of autobiography.
Those who find ugly meanings in beautiful things are corrupt without
being charming. This is a fault.

Those who find beautiful meanings in beautiful things are the
cultivated. For these there is hope. They are the elect to whom
beautiful things mean only beauty.

There is no such thing as a moral or an immoral book. Books are well
written, or badly written. That is all.

The nineteenth century dislike of realism is the rage of Caliban seeing
his own face in a glass.

The nineteenth century dislike of romanticism is the rage of Caliban
not seeing his own face in a glass. The moral life of man forms part of
the subject-matter of the artist, but the morality of art consists in
the perfect use of an imperfect medium. No artist desires to prove
anything. Even things that are true can be proved. No artist has
ethical sympathies. An ethical sympathy in an artist is an unpardonable
mannerism of style. No artist is ever morbid. The artist can express
everything. Thought and language are to the artist instruments of an
art. Vice and virtue are to the artist materials for an art. From the
point of view of form, the type of all the arts is the art of the
musician. From the point of view of feeling, the actor’s craft is the
type. All art is at once surface and symbol. Those who go beneath the
surface do so at their peril. Those who read the symbol do so at their
peril. It is the spectator, and not life, that art really mirrors.
Diversity of opinion about a work of art shows that the work is new,
complex, an

… sigue leyendo gratis en el lector inmersivo de Mirrow.