Leer J. S. Le Fanu's Ghostly Tales, Volume 1 online gratis (en inglés)

"J. S. Le Fanu's Ghostly Tales, Volume 1" by Joseph Sheridan Le Fanu is a collection of ghost stories written during the early to mid-19th century, a period known for its fascination with the supernatural, particularly in Victorian literature. This collection features two main tales: "Schalken the Painter" and "An Account of Some Strange Disturbances in Aungier Street," which explore themes of love, loss, and the haunting presence of the past. The likely topics revolve around eerie occurrences and unsettling atmospheres that reflect the complexities of human emotions and the thin veil between the living and the dead. In "Schalken the Painter," the story follows a young artist, Godfrey Schalken, who falls in love with Rose Velderkaust, the niece of his master, Gerard Douw. As Schalken pursues his artistic career, he is unexpectedly confronted by a mysterious suitor, Minheer Vanderhausen, who wishes to marry Rose. The tale takes a dark turn as Vanderhausen's true nature is revealed, lea

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An Account of Some Strange Disturbances in Aungier Street (1853)

by

Joseph Sheridan Le Fanu

Schalken the Painter

_"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both. Let him, therefore, take his rod away from me, and let not his fear terrify me."_

There exists, at this moment, in good preservation a remarkable work of Schalken's. The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture. I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value. The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil. The dress, however, is not that of any religious order. In her hand the figure bears a lamp, by which alone her figure and face are illuminated; and her features wear such an arch smile, as well becomes a pretty woman when practising some prankish roguery; in the background, and, excepting where the dim red light of an expiring fire serves to define the form, in total shadow, stands the figure of a man dressed in the old Flemish fashion, in an attitude of alarm, his hand being placed upon the hilt of his sword, which he appears to be in the act of drawing.

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